Digital Sensorium

Month

March 2012

18 posts

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#36. Denmark, Copenhagen. Accordion on the street. Snow and cold wind.

Mar 27, 20123 notes
#Denmark #Copenhagen #field recording
Sarhadi Various Artists

Afghanistan.

babilano:

Sarhadi 


Music in the mind: 

The concepts of music and musician in Afghanistan

Mar 27, 20124 notes
Mar 27, 2012183 notes
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#35. India, Jaipur, Temple of Ganesh. Waiting for celebration. People entering the temple rang bells located above the doorway. When the celebration has begun finally , I was stunned by view of a giant orange elephant, which has been uncovered - it was statue of Ganesha. Then I watched praying people, and realised that practically this elephant is not different from a crucified man, a fat smiling bloke sitting in lotus pose, or a meteor in a concrete black cube. It is the same level of abstraction and a similar, sincere and naive faith of believers.

Mar 21, 20121 note
#Ganesh #Hinduism #India #Jaipur #religion #field recording
“The problem with modern man is that we have forgotten the language of silence, we have forgotten the way of the heart. We have completely forgotten that there is a life which can be lived through the heart. We are too much hung up in the head, and because we are too much in the head we cannot make any sense out of love. It becomes more and more problematic.” —Osho
Mar 21, 2012443 notes
Haarlem, Planetenlaan Mar 15 2012, 22.15 uur

Holland, Haarlem

therielthing:

Haarlem, Planetenlaan om 22.15 uur

Mar 17, 20123 notes
Alan Lomax Field Recordings from Ireland → research.culturalequity.org

St. Patrick’s Day is today folks!

folkdrummer:

Original field recordings of Irish musicians and singers captured and credited by Alan Lomax as he traveled through Ireland. Free to stream from the Association for Cultural Equality website. THIS is genuine, unpolished Irish folk music. This is an invaluable resource and look into musical culture.

Mar 17, 20128 notes
“Quiet is related to openness in the sense that the quieter it gets — as your listening area increases — your ability to hear reflections from farther away increases. The implication of that is that you get an immense sense of openness, of the landscape reflecting back to you, right? You can go out there, and you stand on a mountaintop, and it’s so quiet that you get this sense of space that’s unbelievable. The reflections are coming to you from afar. All of a sudden your perception is being affected by a larger area. Which is different from when you’re in your car. Why, when you’re in your car, do you feel like you are your car? It’s ’cause the car envelops you, it wraps you up in that sound of itself. Sound has everything to do with place. What is beautiful about this place?” —http://www.nytimes.com/2012/03/18/magazine/is-silence-going-extinct.html?_r=1
Mar 16, 2012
Is Silence Going Extinct? → nytimes.com

…What’s more, other experiments showed, much as the M.I.T. study did, that noise affected the way visitors saw landscapes: when volunteers viewed photos of natural vistas while listening to helicopters on tape, they rated the scenes less picturesque than they did under quieter conditions…

…scientists were about to realize the damage society’s widening sonic footprint could do to natural ecosystems. In 2003, a Dutch team studying a common songbird, the great tit, reported in Nature that males of the species shifted their calls to a higher frequency in cities, where low-frequency human noise masked their normal song range. Further proof that urban sounds cause wild creatures to adjust their vocal styles quickly followed. Nightingales sing louder in louder environments. Robins — usually diurnal singers — switch to nighttime in areas that are chaotic by day..

Mar 16, 201213 notes
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silencesounds:

Bear with Cubs, Denali National Park (Davyd Betchkal)

To restore ecosystems to acoustic health, researchers must determine, to the last raindrop, what compositions nature would play without us.

Is Silence Going Extinct?

Mar 16, 20125 notes
Minute of Listening Scanner

dpnem:

Marc Weidenbaum writes:

Before reading anything else, before reading any further, or clicking on a link, give this a listen. Just hit play and listen. And don’t dig in too deep. Hold off on listening for tone, or for dynamics, for narrative or processing. In essence, hold off on any of the kind of interpretive listening that this site is about on a daily basis. Instead, just listen and just focus on one task. The task is to try to identify the sound:

-read more- 

Mar 14, 20122 notes
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#34, UK, Wales. A small stream in Brecon Beacons National Park.

Mar 11, 20121 note
#Wales #stream #field recording
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soundisall:

Dagneux, le Petit Chatel, train, bells and discussion about how to get rid of anxyolitics.
PCM-M10 internal microphones.

I like recordings which consist of the whole spectrum of sound. It gives you a small history and full vibration of place

Mar 10, 20124 notes
Play
Mar 8, 20124 notes
Suikinkutsu (excerpt)

Nice recording from Japan

fieldmic:

Suikinkutsu (excerpt) 
Hiroki Sasajima 

Mar 7, 20129 notes
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#33. Singapore, Buddha Tooth Relic Temple in Chinatown district. Summer 2011.

Mar 6, 20122 notes
#Singapore #Buddhism #field recording #spiritualism
The Field Reporter → thefieldreporter.wordpress.com

signaldrift:

Reviews on the field of field recording based music and sound works.

Mar 4, 20123 notes
“Everything
of importance
has been said before
by somebody who did
not discover
it.”
—Alfred North Whitehead (via eloquentandhonest)
Mar 2, 20123 notes
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